While coins, inscriptions, and ephemeral decorations proclaimed messages of peace, reconciliation, and Christian unity in the Clementine Jubilee Year 1525, Rome and the papacy stood on the brink of disaster. The ever-worsening political situation, with Pope Clement VII caught between conflicting Christian Princes, would soon end all hopes for concord, as the political and financial instability of the papacy led eventually to the devastating Sack of Rome in May 1527. Join Sheryl E. Reiss, Scholar-in-Residence at the Newberry Library, Chicago, as she examines the political underpinnings, the ritual practices, and the propagandistic imagery of the Clementine Jubilee Year 1525.
Sheryl E. Reiss received her Ph.D. from Princeton University and is a Scholar-in-Residence at the Newberry Library in Chicago; she has taught for the Graham School at University of Chicago since 2019. Dr. Reiss is a specialist in Italian Renaissance art and architecture with particular interest in the history of patronage. She is also interested in women and gender; archaism in early modern art; exchange between Italy and Northern Europe; and funerary art. She has published widely on Italian art and art patronage of the early sixteenth century, focusing particularly on the patronage of members of the Medici family, and on Raphael and Michelangelo. Dr. Reiss has previously taught at Mount Holyoke College, Smith College, Cornell University, the University of California, Riverside, the University of Southern California, and the School of the Art Institute of Chicago. She is the recipient of grants and fellowships from the Samuel H. Kress Foundation, the National Endowment for the Humanities, the Renaissance Society of America, the Center for Advanced Study in the Visual Arts at the National Gallery of Art, and the Newberry Library. Dr. Reiss has co-edited two books: Beyond Isabella: Secular Women Patrons of Art in Renaissance Italy (2001, with David G. Wilkins) and The Pontificate of Clement VII: History, Politics, Culture(2005, with Kenneth Gouwens). She is currently preparing a book titled The Making of a Medici Maecenas: Giulio de’ Medici (Pope Clement VII) as Patron of Art and is the co-editor of an in-progress collection of essays titled Reconsidering Raphael.
This talk is sponsored by the Notre Dame Arts Initiative with support from:
Originally published at arts.nd.edu.